“Hafed focuses to the only skill needed: acknowledging the existence of the other”, writes Maria Säkö in Helsingin Sanomat.

“My thoughts raised by the performance are contradictonary. But it merits the piece, I find. The art of Kekäläinen forces one to think conventional notions in a different way, although the job is mainly left to the spectator”, writes Mia Hannula in Turun Sanomat.

“The sexual motif runs through the whole piece in a natural way”, writes Sonja Mäkelä in Huvudstadsbladet.